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Arizona, 1979 by Tetman Callis

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Arizona, 1979 by Tetman Callis

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Hell’s Canyon, Idaho, 1979 by Tetman Callis

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San Miguel Mountains, Colorado, 1979 by Tetman Callis

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San Miguel Mountains, Colorado, 1979 by Tetman Callis

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San Miguel Mountains, Colorado, 1982 by Tetman Callis

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Shiprock, 1982 by Tetman Callis

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Your mission, should you decide to accept it, or not

“Every new generation of artists is faced with the task of originating new forms of work that fall outside the margins of established commodity. In other words, to create work that  is uncommodifiable,...

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The commodification of the transcendent

“My definition of art is very straightforward: Art is what is sold as art, and that’s it. When someone buys something, believing he or she is buying art, then it is art. If you pay for something...

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Do it well, too

“We don’t need art to express ourselves. If you are sad, then cry. If you are angry, destroy something. If you don’t like something, say no to it. But if you want to make art, then do it because you...

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How much for the little girl?

“Thus it happened that Adolf Schiele, then twenty-four, encountered Franz Soukup’s twelve-year-old daughter. According to family legend, it was love at first sight, at least for Adolf, who vowed to...

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Work it. Infinite repetitions.

“For practical living, man needs to be free in his thought and responsible in his actions. But in dealing with art, responsibility of thought, which makes for slowness of judgment, and freedom of...

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The Zen of Criticism

“To judge a contemporary work of art correctly demands that calm, unprejudiced mood which, while susceptible to every impression, carefully guards against preconceived opinion or feelings. It requires...

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Like an imperial government

“The texture of any great work of art is complex and ambiguous.” – Northrop Frye, “The Archetypes of Literature”

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Usually

“In art, ambiguity is not a fault.” – David Manier, “Sex and Lots of It”

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The man who fell to art

“The most interesting thing for an artist is to pick through the debris of a culture, to look at what’s been forgotten or not really taken seriously. Once something is categorized and accepted, it...

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The still, calm center

“In a violent, distracted, media-saturated world the most needed artistic resource is no longer a critique of the possibility of meaning—mass culture itself has become that critique. What is needed,...

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So there

“It’s very hard indeed if not impossible to intend or design something uncanny. The uncanny results, it isn’t something you have much control over.” – Ian Penman, “Wham Bang, Teatime” (emphasis in...

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Painting the picture

“[Florida Department of Corrections] inmates convicted of property crimes and weapons-possession offences have the most tattoos, while sex offenders, particularly those convicted of paedophilia, tend...

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Put your back into it

“Both virtue and art are always concerned with what is harder, for success is better when it is hard to achieve.” – Aristotle, Nicomachean Ethics, Book 2, Ch. 3

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